
Helena Ignez
Born May 23, 1939 · Salvador, Bahia, Brazil
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Notable Appearances
More Movies

Hotel Atlântico

A Film to Remind Us of Utopia

Fakir

Subterrânea

Oswaldianas

Paixão e Virtude

Copacabana Mon Amour

Rio de Topless

Ugly, Me?

Eclipse

The Red Light Bandit

Embodiment of Evil

Belair

Anônimo e incomum

Extracts

A Última Vanguarda

Helena! Cinema!

All Paulos in the World - Paulo José

Memoirs of a Strangler of Blondes

A Grande Feira

Ensaio Sobre o Fracasso

The Mother

My Calendar Girl

No way, Spider

Candango: Memoirs from a Festival

Helena de Guaratiba

Celebração - 100 Anos do Cinema Nacional

Not Even God Is As Fair As Your Jeans

The Long Voyage of the Yellow Bus

It's Not All True

The Priest and the Girl

Brazilian Cinema in the 20th Century

Fogo Baixo, Alto Astral

The Woman of Everyone

Face to Face

Memórias do Grupo Opinião

A Vermelha Luz do Bandido

Love Film Festival

Scent of Gardenias

Light in Darkness: The Return of Red Light Bandit

Cartas Para Rian

Glauber Rocha - The Movie, Brazil's Labyrinth

São Jerônimo

The Welles Raft

Joy Is the Acid Test

The Sign of Chaos

Assault on the Pay Train

The Monsters of Babaloo

The Hullabaloo Family

Watch Out, Madame

Perigo Negro

Inaudito

O Pátio

Meu Mundo em Perigo

A Man and His Cage

Poder dos Afetos

If I'm Here It Is by Mystery

The End of an Age

Trópico de Leão

Race Antenna

Mulheres de Cinema

Copacabana, Mon Amour: A Restauração

A Miss e o Dinossauro

Notícias do Fim do Mundo

The Outsiders

Ossos

Bring me the Head of Carmen M.

Desculpa, Dona Madama

Baron Olavo, The Horrible

Mulher Oceano

Flesh

Natureza Morta

Gravidade

Venus – Filly the Lesbian Little Fairy

O Engano

B2

O Mel é Mais Doce Que o Sangue

O Desmonte do Monte

Deuses da Peste

Nova Pasta, Antigo Baú

Terno

Spray Jet

Luz-Lux-Lúcia

Febre

Um Intruso no Paraíso

Flying Geraldo

Esse fim de semana vou me dedicar as paredes

The Good Cinema

Benjamim Zambraia e o Autopanóptico

A Mulher da Luz Própria

In Memoriam: O Roteiro do Gravador

The Lady Who Died in the Trailer

Um Documentário Brasileiro

Nelson Carneiro: Knight of Democracy

Message from Sergipe

Reinvenção da Rua

A Bela P...

Mr. Sganzerla: Os Signos da Luz

Retrato da Terra

Grito da Terra

Abry

Avacalha e se Esculhamba








