
Helena Ignez
Born May 23, 1939 · Salvador, Bahia, Brazil
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Notable Appearances
More Movies

Estátua!

Antes do Fim

The Red Light Bandit

Hotel Atlântico

Lost Media

Embodiment of Evil

Helena! Cinema!

A Film to Remind Us of Utopia

Candango: Memoirs from a Festival

Subterrânea

Brazilian Cinema in the 20th Century

Eclipse

Extracts

Copacabana Mon Amour

Fakir

Celebração - 100 Anos do Cinema Nacional

Ugly, Me?

The Long Voyage of the Yellow Bus

Belair

Assault on the Pay Train

Love Film Festival

Oswaldianas

All Paulos in the World - Paulo José

Paixão e Virtude

As Florestas da Noite

Face to Face

The Priest and the Girl

Memoirs of a Strangler of Blondes

Light in Darkness: The Return of Red Light Bandit

Fernando Coni Campos: Cada um Vive como Sonha

Memórias do Grupo Opinião

The Rowdy Family

Notícias do Fim do Mundo

The Welles Raft

Mulher Oceano

Baron Olavo, The Horrible

The End of an Age

Glauber Rocha - The Movie, Brazil's Labyrinth

Anônimo e incomum

My Calendar Girl

The Monsters of Babaloo

If I'm Here It Is by Mystery

Scent of Gardenias

Not Even God Is As Fair As Your Jeans

Rio de Topless

Fogo Baixo, Alto Astral

The Mother

Deuses da Peste

Helena de Guaratiba

The Good Cinema

Flesh

It's Not All True

A Man and His Cage

A Última Vanguarda

A Grande Feira

Nem Tudo é Paz e Amor

Terno

Bring me the Head of Carmen M.

Joy Is the Acid Test

The Woman of Everyone

No Way, Spider

São Jerônimo

Cartas Para Rian

Mulheres de Cinema

Abry

A Vermelha Luz do Bandido

A Miss e o Dinossauro

Um Intruso no Paraíso

Meu Mundo em Perigo

Nelson Carneiro: Knight of Democracy

O Pátio

Nova Pasta, Antigo Baú

O Mel é Mais Doce Que o Sangue

O Desmonte do Monte

The Sign of Chaos

Benjamim Zambraia e o Autopanóptico

Natureza Morta

The Outsiders

O Engano

Luz-Lux-Lúcia

Watch Out, Madame

Poder dos Afetos

Gravidade

Flying Geraldo

Perigo Negro

Trópico de Leão

Copacabana, Mon Amour: A Restauração

A Bela P...

The Lady Who Died in the Trailer

Venus – Filly the Lesbian Little Fairy

Avacalha e se Esculhamba

Febre

Message from Sergipe

Race Antenna

Um Documentário Brasileiro

B2

Pioneiras do Cinema

Mr. Sganzerla: Os Signos da Luz

Grito da Terra

A Mulher da Luz Própria

Ossos

Spray Jet

Reinvenção da Rua

Desculpa, Dona Madama

América do Sol

In Memoriam: O Roteiro do Gravador

Ensaio Sobre o Fracasso

Retrato da Terra






