
Helena Ignez
Born May 23, 1939 · Salvador, Bahia, Brazil
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Notable Appearances
More Movies

Belair

Embodiment of Evil

Inauditoo

Ralé: The Lower Depths

Ugly, Me?

The Red Light Bandit

Celebração - 100 Anos do Cinema Nacional

Helena! Cinema!

A Film to Remind Us of Utopia

Lost Media

Subterrânea

Nem Tudo é Paz e Amor

Estátua!

Rio de Topless

The Priest and the Girl

The Welles Raft

Light in Darkness: The Return of Red Light Bandit

A Última Vanguarda

Memórias do Grupo Opinião

The Long Voyage of the Yellow Bus

All Paulos in the World - Paulo José

As Florestas da Noite

Antes do Fim

Fernando Coni Campos: Cada um Vive como Sonha

Copacabana Mon Amour

Memoirs of a Strangler of Blondes

Brazilian Cinema in the 20th Century

Extracts

Assault on the Pay Train

Candango: Memoirs from a Festival

Bring me the Head of Carmen M.

Hotel Atlântico

Glauber Rocha - The Movie, Brazil's Labyrinth

Mulheres de Cinema

Oswaldianas

The Woman of Everyone

Baron Olavo, The Horrible

In Memoriam: O Roteiro do Gravador

Paixão e Virtude

Eclipse

It's Not All True

A Miss e o Dinossauro

Fogo Baixo, Alto Astral

The Rowdy Family

Cartas Para Rian

Garden of Silences

Nelson Carneiro: Knight of Democracy

Venus – Filly the Lesbian Little Fairy

My Calendar Girl

The End of an Age

Scent of Gardenias

The Monsters of Babaloo

A Man and His Cage

The Sign of Chaos

Benjamim Zambraia e o Autopanóptico

Love Film Festival

The Lady Who Died in the Trailer

Meu Mundo em Perigo

A Vermelha Luz do Bandido

Joy Is the Acid Test

O Mel é Mais Doce Que o Sangue

Not Even God Is As Fair As Your Jeans

A Mulher da Luz Própria

Notícias do Fim do Mundo

Helena de Guaratiba

Face to Face

Abry

Mr. Sganzerla: Os Signos da Luz

If I'm Here It Is by Mystery

Anônimo e incomum

O Desmonte do Monte

Um Intruso no Paraíso

Um Documentário Brasileiro

The Outsiders

Avacalha e se Esculhamba

Message from Sergipe

Natureza Morta

Febre

Ossos

Deuses da Peste

Flesh

A Grande Feira

No Way, Spider

Desculpa, Dona Madama

Retrato da Terra

Esse fim de semana vou me dedicar as paredes

Race Antenna

Poder dos Afetos

Ensaio Sobre o Fracasso

Gravidade

Watch Out, Madame

São Jerônimo

Trópico de Leão

Mulher Oceano

Copacabana, Mon Amour: A Restauração

O Engano

Pioneiras do Cinema

The Mother

Nova Pasta, Antigo Baú

América do Sol

The Good Cinema

A Bela P...

B2

Flying Geraldo

Luz-Lux-Lúcia

Perigo Negro

Terno

Grito da Terra

Spray Jet

O Pátio






