
Norma Shearer
Born August 10, 1902 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
Movies
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A New Romance of Celluloid: The Miracle of Sound

Hollywood: The Dream Factory

Cavalcade of the Academy Awards

Sports on the Silver Screen

Hollywood Out-takes and Rare Footage

Hollywood: Style Center of the World

Twenty Years After

The Hollywood Revue of 1929

Romeo and Juliet

He Who Gets Slapped

Lady of the Night

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

The Barretts of Wimpole Street

The Trial of Mary Dugan

Judy Garland: By Myself

The Divorcee

The Making of a Legend: Gone with the Wind

The Stolen Jools

The Bootleggers

Idiot's Delight

Way Down East

Brasileiros em Hollywood

Riptide

You're the Top: The Cole Porter Story

From the Ends of the Earth

The Romance of Celluloid

The Student Prince in Old Heidelberg

Strange Interlude

Escape

Another Romance of Celluloid

Let Us Be Gay

Complicated Women

We’re Switching to Hollywood

Her Cardboard Lover

Pleasure Mad

The Last of Mrs. Cheyney

A Slave of Fashion

A Lady of Chance

A Free Soul

Joan Crawford: Always the Star

Smilin' Through

Vito

The Man Who Paid

A Man's Man

The Devil's Circus

Screen Snapshots Series 18, No. 8

Going Hollywood

The Tower of Lies

Excuse Me

1925 Studio Tour

Private Lives

Their Own Desire

Strangers May Kiss

Hollywood Goes to Town

The Actress

The End of the World

Torchy's Millions

The Flapper

We Were Dancing

The Restless Sex

The Wolf Man

The Movie Album

Pretty Ladies

A Clouded Name

The Demi-Bride

Married Flirts

Lucretia Lombard

Leslie Howard: The Man Who Gave a Damn

Broadway After Dark

The Latest from Paris

The Christmas Party

Man and Wife

The Film Parade

Upstage

After Midnight

The Wanters

Empty Hands

The Devil's Partner

The Taming of the Shrewd

The Waning Sex

Channing of the Northwest

The Star Boarder

The Snob

The Stealers

The Trail of the Law

Broken Barriers

His Secretary

Waking Up the Town

Blue Water






