
Norma Shearer
Born August 10, 1902 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
More Movies

Pleasure Mad

That's Entertainment! III

Marie Antoinette

Hollywood Out-takes and Rare Footage

Twenty Years After

Sports on the Silver Screen

Riptide

Hollywood: The Dream Factory

Her Cardboard Lover

Romeo and Juliet

Way Down East

The Romance of Celluloid

Judy Garland: By Myself

Idiot's Delight

A Free Soul

The Hollywood Revue of 1929

Joan Crawford: Always the Star

The Divorcee

The Barretts of Wimpole Street

The Making of a Legend: Gone with the Wind

The End of the World

From the Ends of the Earth

The Stolen Jools

The Demi-Bride

A Man's Man

Let Us Be Gay

The Student Prince in Old Heidelberg

Hollywood Goes to Town

Complicated Women

Escape

Lady of the Night

The Devil's Partner

Vito

The Last of Mrs. Cheyney

The Wolf Man

He Who Gets Slapped

We’re Switching to Hollywood

The Movie Album

Going Hollywood

Their Own Desire

Man and Wife

The Bootleggers

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

Strange Interlude

A New Romance of Celluloid: The Miracle of Sound

Private Lives

Smilin' Through

Another Romance of Celluloid

A Slave of Fashion

Strangers May Kiss

The Trial of Mary Dugan

The Flapper

Broken Barriers

Hollywood: Style Center of the World

You're the Top: The Cole Porter Story

Cavalcade of the Academy Awards

The Actress

Torchy's Millions

Screen Snapshots Series 18, No. 8

The Christmas Party

The Man Who Paid

We Were Dancing

A Clouded Name

The Restless Sex

Pretty Ladies

Leslie Howard: The Man Who Gave a Damn

The Star Boarder

The Latest from Paris

A Lady of Chance

Broadway After Dark

1925 Studio Tour

The Tower of Lies

His Secretary

The Waning Sex

Empty Hands

Channing of the Northwest

The Stealers

The Wanters

Master Will Shakespeare

The Devil's Circus

The Snob

The Film Parade

Blue Water

After Midnight

Excuse Me

Lucretia Lombard

Upstage

Married Flirts

The Trail of the Law

The Taming of the Shrewd




