
Norma Shearer
Born August 10, 1902 · Montreal, Quebec, Canada
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
Movies
More Movies

The End of the World

The Women

That's Entertainment!

Lady of the Night

Pleasure Mad

Romeo and Juliet

The Man Who Paid

Twenty Years After

Brasileiros em Hollywood

A Man's Man

Marie Antoinette

Man and Wife

He Who Gets Slapped

Cavalcade of the Academy Awards

Hollywood Out-takes and Rare Footage

The Demi-Bride

You're the Top: The Cole Porter Story

Hollywood: Style Center of the World

The Wolf Man

A Slave of Fashion

The Student Prince in Old Heidelberg

Hollywood: The Dream Factory

The Hollywood Revue of 1929

The Making of a Legend: Gone with the Wind

Complicated Women

The Devil's Partner

The Romance of Celluloid

Escape

Torchy's Millions

The Barretts of Wimpole Street

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

A New Romance of Celluloid: The Miracle of Sound

The Stolen Jools

Going Hollywood

Hollywood Goes to Town

Judy Garland: By Myself

Let Us Be Gay

The Waning Sex

The Star Boarder

Sports on the Silver Screen

The Divorcee

Smilin' Through

Her Cardboard Lover

A Free Soul

Joan Crawford: Always the Star

A Clouded Name

A Lady of Chance

From the Ends of the Earth

Way Down East

The Trial of Mary Dugan

Idiot's Delight

Leslie Howard: The Man Who Gave a Damn

Vito

Strangers May Kiss

The Latest from Paris

Channing of the Northwest

Their Own Desire

The Tower of Lies

The Movie Album

The Devil's Circus

We Were Dancing

The Trail of the Law

The Last of Mrs. Cheyney

Pretty Ladies

Broadway After Dark

Waking Up the Town

The Taming of the Shrewd

Strange Interlude

Screen Snapshots Series 18, No. 8

Another Romance of Celluloid

The Christmas Party

The Restless Sex

After Midnight

We’re Switching to Hollywood

The Stealers

The Snob

Empty Hands

The Film Parade

Private Lives

Master Will Shakespeare

Excuse Me

Lucretia Lombard

Married Flirts

The Flapper

Upstage

The Wanters

1925 Studio Tour

The Actress

Broken Barriers

His Secretary






