
Fernanda Torres
Born September 14, 1965 · Rio de Janeiro, Rio de Janeiro, Brazil
Fernanda Pinheiro Torres (Rio de Janeiro, September 15, 1965), is a Brazilian actress, writer, columnist and screenwriter. She is the daughter of Oscar-nominated actress Fernanda Montenegro and actor Fernando Torres. In May 1986, she received the Best Actress Award at Cannes Festival for Arnaldo Jabor's "Eu Sei Que Vou Te Amar", at the age of 20. She's married to movie producer and director Andrucha Waddington, who directed her and her mother in the 2005 film "The House of Sand". They have two sons together, Joaquim (b. 2000) and Antônio (born on April 10, 2008). She is also the stepmother of João (b. 1993) and Pedro (b. 1995). In 2003, she wrote her first script ("O Redentor", 2004), with the assistance of her brother, cinematographer Cláudio Torres. In 2025, she received the Golden Globe award for Best Actress in a Motion Picture - Drama and an Academy Award nomination for Best Actress in a Leading Role, both for her performance in "I'm Still Here (Ainda Estou Aqui)".
Notable Appearances
Movies

I'm Still Here

Kuarup

Your Neighbour's Wife

Four Days in September

Fire and Passion

The House of Sand

The Invisible Woman

Miramar

Love Me Forever or Never

Innocence

Hide and Seek

Blitz, O Filme

Treason

Foreign Land

Basic Sanitation, the Movie

That Damned Meat

Tributo: Fernanda Montenegro

Sonho Sem Fim

Asdrúbal Trouxe o Trombone

Fire in the Forest

Cuddle
TV Shows

Casseta & Planeta, Urgente!

Brava Gente

Tapas & Beijos

Dance with Me

Conversa com Bial

Selva de Pedra

As Filhas da Mãe

Brilhante

Under Pressure

Eu Prometo

Filhos da Pátria

The End

A Comédia da Vida Privada

Diário de um Confinado

The Cariocas

All the Women in the World

Os Normais

Love and Luck

Luna Caliente

Parabéns pra Você

Minha Estupidez
More Movies

Babenco: Tell Me When I Die

Films to Die For

Lina Bo Bardi — A Marvelous Entanglement

The Magnificent 8

Com Licença, Eu Vou à Luta

One Man’s War

The Flash and Crash Days

Twins

Critic

Savage Capitalism

Playing

Redeemer

Gilda, Lúcia and The Goat

Celebração - 100 Anos do Cinema Nacional

Midnight

The Jew

Brazilian Cinema in the 20th Century

Os Normais: O Filme

So Normal 2: The Craziest Night Ever

Consideração do Poema

Endless June - Brazil’s New Political Culture

Kiss 2348/72




