
Willie Best
Born May 27, 1913 · Sunflower, Mississippi, USA
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
Notable Appearances
More Movies

The Ghost Breakers

High Sierra

At the Circus

Ladies of Leisure

Blondie

Vivacious Lady

Brother, Can You Spare a Dime?

Thank Your Lucky Stars

The Red Stallion

Racing Lady

Breakdowns of 1941

Beyond Tara: The Extraordinary Life of Hattie McDaniel

Dixie

Merrily We Live

Virtuous Husband

Hot Tip

Up Pops the Devil

Gold Is Where You Find It

Night Waitress

A-Haunting We Will Go

The Littlest Rebel

The Adventures of Mark Twain

Way Down South

Hold That Blonde!

Cabin in the Sky

Little Miss Marker

Murder on a Bridle Path

The Girl Who Dared

Nothing but the Truth

Nancy Drew... Trouble Shooter

Super-Sleuth

Everybody's Doing It

Juke Girl

The Kansan

The Hidden Hand

Mr. Moto Takes a Vacation

Flight from Destiny

Crashing Hollywood

Mr. Moto in Danger Island

Money and the Woman

The Shanghai Chest

I Take This Woman

Meet the O'Briens

The Saint Strikes Back

The Mark of the Whistler

TV in Black: The First Fifty Years

Ellis in Freedomland

The Lady from Cheyenne

Spring Madness

Murder on a Honeymoon

Slightly Honorable

Thank You, Jeeves!

Half Past Midnight

The Smiling Ghost

Kentucky Kernels

Suddenly It's Spring

Blackmail

The Bride Walks Out

You Can't Buy Luck

The Bride Wore Boots

Music for Millions

Dangerous Money

Scattergood Survives a Murder

The Face of Marble

South of Caliente

The Guilty Generation

Down the Stretch

We Who Are About to Die

The Body Disappears

Kisses for Breakfast

Blondie on a Budget

Pillow to Post

Private Detective

Whispering Ghosts

Busses Roar

Goodbye Broadway

The Arizonian

Maisie Gets Her Man

She Wouldn't Say Yes

Blondie Brings Up Baby

The Nitwits

The Green Pastures

Mummy's Boys

Highway West

The Powers Girl

The Red Dragon

The Monster and the Ape

Muss 'em Up

West of the Pecos

Saturday's Heroes

Feet First

I'm from the City

Breezing Home

Youth Takes a Fling

Jalna

Road Show

General Spanky

Meet the Missus

Home in Indiana

Scattergood Baines

Harold Lloyd's World of Comedy

Two in Revolt

The Monster Walks

Silly Billies

The Covered Trailer

To Beat the Band

Cinderella Swings It

Straight, Place and Show

Who Killed Aunt Maggie?

Boogie Woogie Bugle Boy of Company "B"




