
Wim Wenders
Born August 14, 1945 · Düsseldorf, Germany
Ernst Wilhelm "Wim" Wenders (born 14 August 1945) is a German filmmaker and playwright, who is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award. Wenders made his feature film debut with Summer in the City (1970). He earned critical acclaim for directing the films Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976), later known as the Road Movie trilogy. Wenders won the BAFTA Award for Best Direction and the Palme d'Or for Paris, Texas (1984) and the Cannes Film Festival Best Director Award for Wings of Desire (1987). His other notable films include The American Friend (1977), Faraway, So Close! (1993), and Perfect Days (2023). Wenders has received three nominations for the Academy Award for Best Documentary Feature: for Buena Vista Social Club (1999), Pina (2011), and The Salt of the Earth (2014). He received a nomination for the Grammy Award for Best Long Form Music Video for Willie Nelson at the Teatro (1998). He is also known for directing the documentaries Tokyo-Ga (1985), The Soul of a Man (2003), and Pope Francis: A Man of His Word (2018). Wenders has been the president of the European Film Academy since 1996 and won an Honorary Golden Bear in 2015. He is an active photographer, emphasizing images of desolate landscapes. He is considered an auteur director. Description above from the Wikipedia article Wim Wenders, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Notable Appearances
Movies
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Viaggio in Bergmania

Wrong Move

Why Are We Creative?

Cannes Uncut

Werner Herzog: Radical Dreamer

Now

Edgar G. Ulmer: The Man Off-Screen

Room 999

Wim Wenders, Desperado

The Legend of the Palme d'Or

Kings of the Road

Love and So Forth

Ten Minutes Older: The Trumpet

The State of Things

Pope Francis: A Man of His Word

Alekan le magnifique

Snowblind

Dennis Hopper: Uneasy Rider

Pictures of Europe

From Our Side

Henri Langlois vu par...

Close Up

Why Are We (Not) Creative?

French Cinema Mon Amour

The Keys to Freedom

A Fuller Life

Along for the Ride

Cannes: All Access

Filmstudio, mon amour

A Trick of the Light

Restoring Time

Cinématon

What Do You Know About Me

Room 666

The Art of Football from A to Z

Film: The Living Record of Our Memory

King Kongs Faust

Autoluminescent: Rowland S. Howard

Helsinki Napoli All Night Long

Lightning Over Water

Veränderung

Bruno Ganz - The Longing Revolutionary

The Night of the Filmmakers

A Weekend at the Beach

Harry Dean Stanton: Partly Fiction

The Goalie's Anxiety at the Penalty Kick

To Make a Film Is to Be Alive

Arisha, the Bear, and the Stone Ring

Three for the Road

Films to Die For

Dennis Hopper: Create (or Die)

Leçon de cinéma avec Wim Wenders

Paul Auster: What If

Tausend Augen

Love in Hollywood

Alekan, la lumière

High Maintenance

FreeDogme

Mondo Lux: The Visual Worlds of Werner Schroeter

A Life for Movies: Lotte Eisner

Edward Hopper and the Blank Canvas

Wim Wenders in Tokyo

La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione

Die 2050er - Everything will change

Fassbinder in Hollywood

3 American LPs

Dennis Hopper's Russian Dynamite Death Chair Act

Dennis Hopper: The Decisive Moments

Motion and Emotion: The Films of Wim Wenders

Effedia - Sulla mia cattiva strada

Living the Light: Robby Müller

Wim Wenders: Der ewig Suchende

Good Morning, the Wind Blows

Janela da Alma

Was heißt hier Ende? Der Filmkritiker Michael Althen

The Ozu Diaries

One Who Set Forth: Wim Wenders' Early Years

Long Shot

Beyond the Bolex

Come with Me to the Cinema – The Gregors

Cinématon n°212 : Wim Wenders

Counter Shot: Departure of the Filmmakers

Wim Wenders' Story Of His Early Years

Still Alive: A Film About Krzysztof Kieslowski

BAM150

Notebook on Cities and Clothes

De droomproducenten

Summer in the City

Signs of Vigorous Life: The New German Cinema

Talking with Ozu

Reverse Angle: New York, March 1982

The Trial: The State of Russia vs Oleg Sentsov

Motion and Emotion: The Road to 'Paris, Texas'

Chris Marker: Never Explain, Never Complain

Return to Beethoven Street: Sam Fuller in Germany

Wings of Desire: The Angels Among Us

CAN and Me
























