
Kate Nelligan
Born March 16, 1950 · London, Ontario, Canada
Kate Nelligan (born Patricia Colleen Nelligan; March 16, 1950) is a Canadian retired actress, who was celebrated for her commanding performances and versatility. She trained at Glendon College in Toronto and London's Central School of Speech and Drama before launching her professional career in 1972 with the Bristol Old Vic, appearing in productions like Barefoot in the Park. Nelligan rose to prominence in the UK with the National Theatre in plays such as David Hare's Knuckle (1974) and Tales from the Vienna Woods (1977), alongside early television roles in The Onedin Line and her film debut in The Romantic Englishwoman (1975). In the early 1980s, she relocated to New York, where she garnered critical acclaim on Broadway, earning four Tony Award nominations for Plenty (1983), A Moon for the Misbegotten (1984), Serious Money (1988), and Spoils of War (1989). Her film career flourished with standout roles in Eye of the Needle (1981) opposite Donald Sutherland, Without a Trace (1983), and later Frankie and Johnny (1991), for which she won a BAFTA for Best Supporting Actress; she also received an Academy Award nomination for The Prince of Tides (1991). Other notable films include Wolf (1994), U.S. Marshals (1998), and The Cider House Rules (1999).
More Movies

How to Make an American Quilt

Dracula

Fatal Instinct

Up Close & Personal

The Lady of the Camellias

Shadows and Fog

The Romantic Englishwoman

A Wrinkle in Time

In from the Night

Eleni

Love Is Strange

Captive Heart: The James Mink Story

Licking Hitler

Without a Trace

Stolen Moments

Liar, Liar

A Mother's Prayer

Kojak: The Price of Justice

Love & Hate: The Story of Colin and Joanne Thatcher

Calm at Sunset

Swing Vote

Bethune

Mr. Patman

Spoils of War

Victims

Old Times

By Woman's Hand

Blessed Stranger: After Flight 111

Boy Meets Girl

Shattered Trust: The Shari Karney Story

Terror Stalks the Class Reunion

Margaret's Museum

The Diamond Fleece

Control

The Arcata Promise

Walter and Henry

Into the Deep

Measure for Measure

White Room

Do as I Say

Revisiting Brideshead

Dreams of Leaving

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