
Hisayasu Satō
Born August 15, 1959 · Shizuoka, Shizuoka Prefecture, Japan
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
More Movies

I'm Being Watched: An Interview with Hisayasu Sato

Autumn

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3

Lord, Have Mercy: An Interview With Hisayasu Sato

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2

Revenge in S&M: An Interview with Hisayasu Sato

Lost in the Bedroom: An interview with Kyôko Nakamura

Cruising Love Story

Groper Train: Start at the Back

Escape 3: An Interview with Hisayasu Sato

Japanscope, panorama de la nouvelle Nouvelle Vague

Female Prisoners: Brutal Treatment

Damashite nozoku

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato

Groper Train: Final Stop

Zetsukin gyaru: Yaruki munmun

Hometown Porn Girl 18! Seeding Festival

I Stand Alone - SEX & LOVE

Walking in Circles: Shinjuku with Hisayasu Sato: Part 4

Cross the Lens

Molester Train: Searching for Beans

In The Sea of Trees

Wakazuma Misshitsu Bôkô Jiken




